展覽日期：2015. 07.18－08.15
展覽開幕：7.18(SAT) 19:00
官網：http://www.frees-art-space.com/
我以自身的角度反觀當代的社會，個體的身體是一個時代縮影。而我認為「迷惘」是一種普遍世代的抽象情感。透過自我的狀態投射出這新時代的現象—「迷惘的一代(Lost Generation)」， 又稱迷失的一代、失落的一代。
而當迷惘作為一種抽象的狀態，我認為它的形成因素是非常龐大而且複雜，對於自身存在的疑惑下所形成的迷惘，也漫延到自我認同 的不確定性、社會價值觀扭曲以及世代的焦慮感，甚至是個體的存在也必須依賴在具有某種政治性的他者所建立的認同標準上，從觀察事件後得到的現象，可以發現 事件裡的人對待生命體的行為凸顯時代的迷惘現象，從這些不同層面的顯現，進行反思：是什麼樣的原因促成迷惘的構成？而社會迷惘可能的形狀是什麼樣子？
最後，我以藝術創作作為一種媒介轉化，呈現一種關於當代的環境與個體迷惘的關係下，所表現出的一種存在的現象，肉身迷惘可能的形狀。
《災難性成長，雞毛、鐵、綜合媒材》
《肉身群組，棉布肉袋、鐵、綜合媒材，依空間尺寸》
《 余與熊長的都是我要的，仿皮草、鐵、綜合媒材》
《Ｗhen we start to get lost- Huang Shao-Ying solo exhibition》
From my observations of contemporary society, I have come to the conclusion that an individual body serves as a microcosm
for an era. I believe that “lost” is an abstract emotion common throughout all generations. Drawing on my own condition, I
project the phenomenon of this new era – the “Lost Generation”, also known as the missing or vanished generation. When lost
is regarded as an abstract state, I believe that its formative elements become extremely immense and complicated. This
confusion spurred by existential doubts has become a sense of uncertainty over self-identity, distorted social values, and an
anxiety that stretches across generations. Even the existence of individuals must rely on recognized standards set by others
through political means. The phenomenon obtained through observation indicates that human behavior towards life forms
highlights the phenomenon of being lost in this era. Thus, introspection is conducted through the manifestations of these
different layers: What causes a sense of confusion to develop? More so, what shape would social confusion take? Finally, with
artistic creation as a conversion of media, the existential phenomenon and possible shape of physical confusion is presented
through the contemporary environment and the state of individual confusion.