展覽地點｜弔詭藝廊
展期Term：2O15.11.28 – 2O16.O1.1O
開幕｜Opening：2O15.11.28 PM 3:OO
藝術家｜Artists：#林煒翔 LIN Wei-Hsiang
生命美學，是以生命作為美學品味的範疇、對象與核心。畫家林煒翔從這一點根本，滲透到所有的文明變質僵化，無不透顯對自然，原始性情的眷戀。 他內在的安身立命平時馴服在車馬忙碌生活之中，只有在油畫上風雅雲淡的筆觸才洩露出來歡暢淋漓。隨著年紀漸長，創傷病痛又有幾人能維持這份美質？若能維持也是辛苦修煉，多了人人都曾擁有但也都必然消逝的清華純真，這份可貴難成，那就是本質上的詩人。
此次個展是一場優雅的聚會，氣機流動，落落大方，靠的並非華嚴的技巧，緊扣的是敦厚。造物主的真山真水是能量之源，卻是要落在畫布上的土壤裡實現，寫實作為一個關鍵，很精確但不是取代自然，遂構成一個問號，一個提醒。於是聯想起「始得西山宴遊記」裡頭：心凝形釋，與萬化冥合。從天轉為以人為本，通過自己詮釋，與生活點點滴滴連接，在要緊處活出來。
《山水有真實》借用稀薄的堆疊技巧，一層層慢慢包裹成景，山嵐如一面順風吹開的旗，讓森林幽谷顯示出鮮明的層次感，更明顯的感受到眼前沒完沒了的濕潤，是世界上所有無處扎根的水氣，這一切都毫不吝嗇地從眼睛準確的鑑別開來，也許，關鍵不在地毯式分析色彩，而在體諒與珍惜四季變遷，讓上一筆揮灑無憾，也帶著鼓勵交棒給下一筆修補還原。過程年復一年，就是珍貴的人畫俱老，倒未必是任何一張完畢的畫作。
隨著這個層面上的超越，從可以假造山水繞回到真實世界的本來面目，篤定而真誠地打開心門，以領略生命的悸動，回頭窺看靜定的山水，心頭陰霾盡去，卻多籠罩一層絢麗的晚霞。真的，山水畫原本的要旨，就不是單一的框架，而是觀點在游離之中，復甦活潑的精神。若我們硬梆梆的又將流動的觀點束縛起來，豈不是最大的諷刺嗎？會不會這就是煒翔一以貫之的初衷，且讓觀者們來印證。
Aesthetics of life – an aesthetics based on life as its field, target and core. Springing from this, the artist, Lin Wei-Hsiang focuses on the rigid civilization, showing his concern and attachment to the nature and primal human temperament. He is, in nature, a poet.
The clouds and mists in the mountains of “Reality in the Landscape” act like a blown and downwind flag revealing a vivid sense of layer of the forests and glens, and letting the audience senses and feels the constant wetness in a rather obvious way. It is a world of imagination, a better world that is presented to us without any reservation but also, a world that misses some of the details of the reality. The artist is more keen on experiencing the weather changes during seasons through the applying of brush stroke on his paintings, rather than carrying out an in-depth analysis on the colour. Transcending from the artificial landscape, one can then return to the reality with its real face unmasked.