【展覽資訊｜​譫妄絮語 The Whisper by Delirium – 歐靜雲個展 Solo Exhibition by Ou, Jing-Yun】

展期：2016.05.03 ── 2016.05.28

地點：福利社（臺北市中山區新生北路三段82號B1 ）

開幕 OPENING：05.07(Sat.)，17:00
座談 TALK：05.07(Sat.) 19:00

與談人 SPEAKERS：高榮禧（國立新竹教育大學藝術與設計學系 副教授）、歐靜雲（藝術家）

 

簡介：
「在幻見與現實間的男性特質：從傅柯的身體論述談起」

繪畫凝結某個時代給予生命的力道。產生吸納同時又消耗著時代樣貌的幻覺，成為明確的意象意識。在我的繪畫創作中，繪畫就好似一座虛構的收容所。虛弱的意涵指涉形式的自身作為身處時代的生存暗號。繪畫挽留了被知識與政治質疑的、或是嘗試排除的某些生命形狀的碎片。藉著一種屬於自我盈滿的認同去收編這些生命的形狀，成為癲狂的絮語、極限的詩性。平面繪畫在可見者、存有者與表象間有種不可能的分享，好似癲狂病態的意象，鏈結了擁有人性之智人無法言說的面貌，賦予不斷展開、變異的生命更為瘋狂縝密的邏輯。繪畫正這樣對圖像、造型與色彩焦慮著，它對抗著現實社會中對於可見影像的痲痹與慣常，繪畫藉由感知與經驗揉碎現實疲軟無力的反覆，把分泌暴力的過程結構在有限度的疆界之中。

An Artist has the power to condense a life force given by an era into a painting. During the process of making an artwork, an artist absorbs as well as consumes the illusion of the era to transform it into a specific image. Painting itself is an imaginary shelter among my creation. The weak meaning referents the form as a survival signal of its era. Painting is to retain the fragments of life questioned by or excluded from the knowledge and politics. With the filled self-identity, I made painting incorporate the shapes of life, which turns into frantic whisper and limited poetics. Plane painting has a madness morbid imagery which could not be shared among those visible, existence and idea. It links the faces of unspeakable Homo sapiens’ humanity. It gives more crazy rigorous logic to make life keep spreading out. Painting is such anxious about image, form and color. It is against for the paralysis of visible and usual image in society. By perception and experience, painting shattered the repeats of anemic reality, constructing the secretion of violence in the limited boundaries.